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FuboTV Founder Alexander Bafer Launches An AI-Driven Content Studio ‘Paracosm Studios’ — Can AI Save Budgets Without Replacing Artists?

  • October 10, 2025
    Updated
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Alexander Bafer, founder of FuboTV, has co-founded Paracosm Studios with Donovan Leitch to build an AI-driven content studio that cuts costs and speeds development for film, TV, and shorts.

📌 Key Takeaways

  • Paracosm Studios aims to accelerate development with AI while keeping humans in control.
  • Leadership includes Donovan Leitch as CCO, Patrick Tsang as chair, Douglas Scott as advisor, and Jake Scott as creative partner.
  • Early toolset features Google Veo 3 and Flow, with inspiration from recent AI-film initiatives.
  • First project, The Odyssey, is a true-crime microdrama mixing interviews, archives, and AI recreations.
  • Studio will ship a Creator Operating System for directors, writers, and actors to speed production.


Paracosm’s First Project Uses AI Recreations In A True-Crime Microdrama

Paracosm Studios positions AI as a multiplier, not a replacement. The team wants technology to serve storytellers, keeping creative decisions with writers, directors, and performers while automating repeatable tasks that slow productions.

The studio’s Creator Operating System targets script ideation, previz, editorial assistance, and asset management. By packaging tools in one pipeline, Paracosm says creators can move from concept to screen with fewer handoffs and lower overhead.

“Our mission is to amplify human creativity, not automate it.” – Alexander Bafer, CEO, Paracosm


Who Is Involved

Donovan Leitch serves as chief creative officer, guiding tone and format across film, series, and shorts. Patrick Tsang chairs the venture, with Douglas Scott advising on media strategy and Jake Scott joining as a creative partner.

Leadership argues that AI can stabilise budgets and de-risk schedules in a tougher market. The team stresses responsible deployment, clearer approvals, and strong provenance so collaborators know how synthetic elements are made.

Team: Bafer (CEO), Leitch (CCO), Tsang (Chair), Scott (Advisor), Jake Scott (Creative Partner). Focus areas: film, TV, streaming, audio, gaming, and immersive work.


How The AI Workflow Fits

Paracosm’s editors and creators use Google Veo 3 and Flow for concepting and AI video edits. These tools support quick look-dev, style tests, and safe recreations, which are then reviewed against licensed assets and approved story beats.

The studio cites recent AI-film efforts as useful playbooks. The goal is a transparent chain where prompts, assets, and edits are logged, so legal review and union collaboration can proceed without uncertainty about inputs.

“AI should streamline development and production, while staying within an ethically guided workflow.” – Donovan Leitch, Chief Creative Officer


First Projects And Format Strategy

Debuting at MIPCOM, The Odyssey combines sit-down interviews, archival material, and AI recreations to tell Doug White’s story. The subject matter is handled with licensed likeness and permissions, aligning recreations with traditional filmmaking standards.

Near-term, Paracosm leans into microdramas optimised for mobile platforms like Shorts. The idea is to marry TV-style emotion with short-form cadence, then scale winning concepts into longer formats as audience signals come in.


Ethics, Rights, And Guardrails

The studio emphasises licensed likeness and documented consent for any synthetic performance. Workflows track source assets and prompt history, providing auditability across editorial, legal, and marketing teams during fast cycles.

Leitch says Paracosm will avoid shortcuts that trigger rights disputes. The plan is to support human talent with data-driven tools, not to replace performers or writers, especially as industry norms around AI continue to evolve.


Why It Matters

Entertainment faces post-pandemic and strike-era budget pressure. A credible AI pipeline that keeps artists in charge can shorten time-to-screen and expand the range of projects that are financially viable without sacrificing craft.

If Paracosm proves that microdramas can build audiences and convert into longer formats, studios get a testbed for IP development. If not, AI risks remaining a novelty that saves edits but does not drive durable viewer engagement.


Conclusion

Paracosm Studios is a bet that responsible AI plus clear provenance can make production faster, cheaper, and still human-led. The opening slate and Creator OS will show whether that balance holds in practice.

The next proof points are audience retention on short-form releases, clean rights workflows, and the Creator OS landing with real-world teams. If those land, Paracosm’s model becomes a template for AI-assisted production at scale.


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Khurram Hanif

Reporter, AI News

Khurram Hanif, AI Reporter at AllAboutAI.com, covers model launches, safety research, regulation, and the real-world impact of AI with fast, accurate, and sourced reporting.

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Outside of work, Khurram squads up in Call of Duty and spends downtime tinkering with PCs, testing apps, and hunting for thoughtful tech gear.

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